page 19 of part 3 of the dumb comic strip. I am glad these dark scenes have been moderately colorful.
Following this is an interlude with secondary characters that looks like it is going to be three terribly cramped pages. When I years ago drew in the requisite background data which this interlude as following from, I imagined it would be important, but it may ultimately be superfluous because I have realized while writing it that neither character thinks the interlude is all that special. In fact, the only important thing that happens in the interlude is the first mentioning of yet one other character whose appearance I have, as before, not written yet, and will not arrive at for rather some time. I go to great lengths to disguise the fact that I invent most parts as I get to them! Still theoretically easier than having a plan.
Whoopth. For the first time I completely forgot this website was here. Which is silly since I have a backlog of drawings that theoretically can be presented with minimal recontextualization. I just use too many gosh darn ding dang rink dink oing boing thank you moing websites, and I seem to have had visible existential crises on half of them. Including this one, but that is almost a tradition here. It should not lead to a lackage of updatage.
Warning, the fish is not a role model. It is not even human.
I think the creature may be a snake when it is treated badly, and a fish when it treats others badly.
Also, I do not personally think anybody with a reasonable job is a “hack.” Initially the question was “have you had any studio employment?” but late in the process it seemed wrong, yet I could not think of a better way to ask the question properly in the space I had left for it. In any event the point is that the fish is a jerk.
One more redrawn page.
I did not consider that when redrawing old comic pages it may turn out impossible for elpse to be holding nemitz in the depicted manner.
I also did not give deep consideration to whether I should replace the psychedelic patterns in the doorway here. Initially, it should not surprise you, I had not yet designed an interior for the room. Now that I have one, it is less interesting to show that than the pattern. However, it is less distracting and confusing. As bland as it looks, if were to REDESIGN the room, then I would OBVIOUSLY not do it until after I drew this page!
the tower on an isolated island on the next page is a problem. every other exterior shot suggests a group of stupid little dome houses with just trees behind them. HOWEVAH
another redrawn comic page. Much more orderly dialog than before! And no bauble stems that cross each other, although a few routes are lengthy, which perhaps some day I will decide is even more distracting. Yes yes I do like how the wordage and containers are laid out here. How did i ever think that old way was acceptable? Even if the last seven days of effort gain me no scrap of respect from one other person, I like having so many neatly-arranged colored sentence boxes.
Originally, on this and the next page I just colored under the pencil drawing, with a few touchups, to speed things along, since it was taking me weeks to do them the other way. But I had to do this one like that anyway! Oops. But this only took one week. So with about ten weeks left in the year, I should be able to get the second book printed, provided I do no other things. However, I have to do other things. Gosh I have to get up now to dump extra water into an electric cat water dish that starts to make weird noises if the water goes over a certain point that becomes closer to the brim of the dish as the filter breaks down and needs replacement. But I don’t know where you buy the filters, so I have to order some more, and I don’t want to register my own email address with any of these dubious pet supply websites, identify myself to marketers as a pet supply buyer thereby sentencing myself to junk email about pet supplies until the earth crashes into the sun, nor pay the shipping cost on this that probably exceeds the posted $7.99 price of replacement filters. Because I hate having cats and hate spending my own money on them. But nobody else will do it even though it is presumably for another human’s sake that cats continue to be kept on the premises. So imagine that every aspect of my life is like that. Outside of these lovely dialog containers. I have brought them under my control.
I cannot recall previously being this aware of how absurdly large i had drawn elpse’s feet.
page 18 of part 3 of the bimshwellian comicoid. This sure took long enough to get to, and finally resolves a matter that has been up in the air for too long. And now I must go back to the past to rework old pages because it was my intent last year to have the second small book version complete within this year. I have within this year tended to a number of long postponed matters, and ordinarily would consider that justification for postponing a less postponed project, but I actually printed inside the first book that the next one was “Available 2016″ so that makes it closer to law. Even though I added *hopefully” afterward. Hopefully does not mean “no self-imposed psychological consequences for failure!”
It is fine to experiment with ideas whose relatability or comprendability are uncertain, but do not commit to laborious coloring methods for them. I just got through saying not to tighten the humor out of the artwork, and then went and did something that is almost as bad.
page 17, part 3 of that. I like the newer page-display system better now than I did when I first made and didn’t use it, and am more comfortable linking to pages on it now, but am not yet certain what I should replace the “that” page with.
This is another “experiment” in layouts that anyone else would have assumed was already long since proven. It still feels like cheating, to me. Even though it was just as much effort to complete as usual, and there was not a way of shoving in the next four frames that was pleasing to me, pacing-wise.
Obviously! Turn that thing off!
Comic prologue sketches that I planned out in April 2015 and then was prevented from working on further due to [factors]. This is not complete, but the next “new” page in the amateurlog alludes to one aspect of it so I think it important to show. There is another portion with lope that I wrote out but did not yet draw anything for, and from the look of things I did not deduce how this transitions into the first kumquat scene, which starts with a view of space. My “plan” was to append this section, when completed, at the front of the comic book combining both of the first parts, even though I have not exactly established “demand” for more comic books except possibly with the very few people who already bought a book whose entire contents would be reprinted therein.
However It seems right now that whatever manner in which I throw to the current first page will imply that kumquat is on a different planet from what I have just shown which is not the case. Even if show a scene ON another planet as an excuse to cut back to this one, there is no excusing such a drawn out sequence to return to a place we were just at, except as a joke, but it is not the joke I set up. Although the “joke” I DID set up regularly confuses people, so I might do best to produce an alternate “first” page entirely.
Keeping it will necessitate an explanation for something that was only there because I thought it would be funny unexplained, and that can only function in such a way at the very beginning. There are so many bad web-comics that try to look like they’re loaded with depth by starting with a show of space and dopey narration about goddesses or whatnot. I do not necessarily like a dumb old jewelry store as the very first page either, but nothing at present is holding me to that. Except for me spending several days last week specifically drawing and detailing that so it would not just look like I dumped a bunch of hopeless sketches here.
I am also uncertain how jarring or obvious the shift in layout from 3 to 4 rowas will be, and so I might distract from that by having a totally inexplicable shot of space occur at the same time.
I suppose I can change it into a “museum of obscene opulence” to give a slightly higher quantity of gravitas to the opening scene. Although I might recycle the space introduction despite its alienating effect and have a pre-prologue kumquat scene, in which event my concern about the dumb jewelry store will be less troubling. But then I will need to devise a new exterior of kumquat kompound scene and I hate drawing that thing. And there are only so many ways I can since I need to conceal that all the houses are connected until the page where the lizard drives away from them. I do a very good job making more jobs for myself.
page 16 of part 3 of this.
wordy! But then something will [almost] happen on the next one.
this proves I can make a page in one week. It does not prove that i should.
It may be worth shuffling the bubble-detector side non-plot. I planned it to match a specific range of events but as usual I underestimated the space I needed for what I planned, and added extra junk that I did not plan.
page 15 of part 3 of that old thing. Cramped again, but since I did not hold myself to an ink drawing before I figured out the dialog, it is cramped in a less dysfunctional manner. In fact there were 3 extra frames that I sent to the next page to free up space on this one, which would have been great had I not then I drawn three new frames to go between the ones that were left.
I am concerned that this flashback is more interesting and less restricted than the “main” “”story,”” with all its vague bullet points in the future and the past, whose integrity must be maintained through excessive dialog to remind everyone that I remember everything. But that is perhaps the real heart of elpse’s urgency: get out of boring buildings and go somewhere, to stop talking and start solving things. Although if that were true, why would it spend three pages introducing new matters to solve?