I cannot determine if Secret Life of Pets is a ripoff of every pixar movie, half the newspaper comic strips or one specific cat litter advertisement. And determining the answer is not worth, to me, $18 and the private knowledge that I paid it. What seems to be important is that the only thing which changes through the decades is what song Vivaldi’s Spring concerto gets record-scratch interrupted by to let me know what a hip young rankler the interrupt-instigator is.
Following up on the previous item, a very positive robot reviews a local government establishment.
but you know what, a crouton is better at iphone match games than I’ll ever be since I’ll never play iphone match games. I played Tetris, I played columns, I played dr robotnik’s mean bean machine and other puyo variants for half my life and am not any better for it, but at least they do not have access to my bank account. I think the shaming click-bait tone of the headline is supposed to be a joke, but I also think internet journalists are so terrible (this one is just copying a story from another website and offering no insight (the comment on my match-inferiority is a guess)) that they no longer remember how to not write headlines that try to be intimidating. If they cannot imply human effort is obsolete by their content, they can through the truth of their own employment.
I believe the technology used in the robot may be useful for some purpose but this one is only good for wasting the time of people who look at it.
This was labeled a “visual turing test.”
I had an opinion on this “test,” but then I got to this comparison and realized: I don’t care about either of these pictures. The question is not “could a robot do this?” but “why would a human do this?” I find the right one more intriguing, style-wise, but the style had already come up in the test, so when I saw it this time I realized “this must be the robot. In which case the left one is by the human, and they are both boring.” The left one turns out to be by Claude Monet.
Let me tell you about Monet. When I was in Paris, I had to go to the special Monet museum, I had to go to some place where he painted murals, I had to go to his house, all to supposedly bask in his greatness or whatever. But each place was crammed with ugly fences, dumb tourists and security cameras and object confiscation checkpoints so getting any kind of sincere inspiration was impossible. And I never found his art any more interesting unless I squinted so hard that I couldn’t tell how blurry it was. Monet has an interesting grasp of color but I do not personally believe he should have been able to make a career with his unpracticed muddy paintings alone, much less heralded as a genius across centuries for it. Especially now that I realize he can actually paint moderate amounts of detail, regardless of the boringness of that specific scene. Why did he give up on detail? Because people would rather pay him to be lazy? Then, as now, somebody latched on to an easily accomplished gimmick and got lucky. I do not understand how anyone who laughs at Jackson Pollack or Margaret Keane can take Claude Monet seriously.
Back to that “test,” in fact there is a secret to detecting the picture generated by a computer: the computer ones have lots of 45 degree lines and lose hold on the style around the image edges. All the swirls turn straight near the borders. I only got three wrong, but this was confounded by the test seeming to have used a real painting and a fake painting in the more distinct styles, but not beside each other, and without revealing in advance that there was one of each. More trickery! But I think even this could have a use.
And it DOES; it is trying to make money off the software, called “Deepart,” which creates this rubbish. It is not, as an intimidating click-bait headline might imply, trying to show that human visual artists are obsolete. Just trying to get itself some money through easy acts, like everybody else. This text here claims hard work is done, but it already told me an automatic process does the job, and apart from that it declared itself “awesome,” which it wouldn’t be concerned with doing if it were.
It doesn’t charge for generating a picture, but it will sell you a high resolution version for a price, and sell you prints of the random-input heaps of nonsense for even larger prices. And for four times that price it won’t put its url on the picture so you can pretend you made the indefensible slab of error yourself. And doubtlessly it aspires to be a big instagram sort of fad and then magically be worth billions of dollars without delivering anything.
4. Vomit at the sight 5. smear vomit on it 6. dump it 7. pretend you found it 8. $$$
In the hard sell example, the problems are even worse than I observed during the “test” comparisons. The filter has misunderstood its input “style” and output aspects of it where they do not belong.
The present system can only copy a pre-programmed style and filter a photograph through it. It cannot, for the time being, look at a multitude of photograph references and determine which elements from those other photographs can be functionally integrated into a single cohesive work, much less improvise a scene that is not based on photographs at all, but inspired by present situations, memories of various past things, and emotions. Although mixing themes that don’t go together can also be “art.” I recall that during my mostly wasted college period, some students in the painting program would be tasked with assembling a photograph collage of random-looking objects and then painting a canvas based off of that, and it “worked.” I think a robot could do that. It helps that much of modern art is just doing random, non-challenging things and then being so abrasively proud of yourself that you shame people into pretending they think your art has meaning. I would love for robots to put that manner of person out of business. But then they will just become rappers.
Aw beans! Unfortunately this is more deceptive hype; it is just a robot that can generate lyrics by swapping out lines from existing raps other people came up with, which is simple to do because there is so much overlap in content between various rap-writers, and the result is still completely moronic garbage.
Which you can get away with if you can recite it angrily enough, but the robot does not actually speak or attempt rhythm, which the article writer fails to acknowledge. Because the headline was probably imposed by somebody else without the article writer’s input. I would suggest a robot replace those people but a Casio SK-1 could probably do it.
But a more complicated robot could indeed produce imagery, or words, in a less rigid manner, maybe even write remotely coherent stories. It would only need to understand pain and weakness.
And then it would need MY help to overcome the weakness from which its creativity flows. I can never be fully replaced!
Robot you are getting a bit too good at that.
For every Tony Award “Hamilton” wins tomorrow, I feel I should be allowed one month of not having to be aware of it in any fashion. On that note I would also like to reclassify “Under-Tale” as a Broadway show before Sunday.
If you don’t know what that is, then great. Really wonderful. I envy you. It is like Unlikely Friendship the home game. Except that I have to see junk about it constantly when dealing with the only people who will pay me for art. Essentially a dating simulation for furries, as best I can figure out without wanting to. An Earthbound-pastiche-looking-thing where your attacks inflict friendship instead of damage. Except it lies to you at first so you do regular damage and accidentally kill things you aren’t supposed to and then it remembers that forever even if you delete everything and start over. So I am told. Like that teaches you a lesson about responsibility except it doesn’t because people play video games as a respite from responsibility. And fine, there is room for that in the world, but it is not itself the world. That is like the kind of video game lope would play.
Meanwhile most of the people in my business about that have not heard of Hamilton, because that is more the domain of tv idiots. Internet shut-ins think there’s something noble about not watching a different electronic glow-box, even if all they do with theirs is watch and retweet and boost-signals or whatever. Somehow without my trying I am buried in hypey trashoganda for the sacred cows of both sides daily, and it has worn on me rather a bit the past nine months, more intensely than it previously did the past nine years, and as a consequence this thing I give birth to now is rather hopeless and misshapen.
With that said, you, by virtue of being here, have probably not heard of “Hamilton” either. Maybe you have but probably not. It is a Broadway stage musical play incorporating a bunch of people dressed like they are in the 18th century, without William “Mr Feeny” Daniels or the Quaker Oats mascot in it, dancing around on a stage rapping about it. That is all. It is a silly fantasy. I welcome people to enjoy it. But the wealth-drenched celebrities who control the television media want to promote it as an evening with God and oh your life is incomplete until you see it! But you can’t because Barack Obama and Beyonce and Chef Boyardee bought up all the tickets for years in advance because that is what is trendy now and they must keep up appearances. 60 Minutes has aired a report on it at least twice. The Jeopardy writer who makes sure there is always a clue about Les Miserables seems to have swapped them out with Alexander Hamilton trivia, and the cast of the show introduced a full category about themselves, and afterward Alexander Trebekilton reminded viewers to see it if they are ever in New York except they can’t unless they sell their house and a scalper manages to rob Prince’s vault. Stephen Colbert has mentioned it about 80 times. James Corden, whose program comes on after Colbert’s, has some recurring segment in which he drives around in a car singing karaoke with celebrities who presumably are paid for it and that’s its own sad statement on what passes for entertainment, but he did it with the Hamilton guy and then Corden was a guest on Colbert’s show and told a story almost in tears about how he was having dinner with Hamilton Guy and said he was so sad he couldn’t give Hamilton more than a Standing Ovation when he saw it live (which you can’t ever do). ABC World News tonight teased across several acts that Hamilton Guy was leaving the cast this month, and then the actual report was just that information again, plus a reminder that you’d better rush out to see him, except you can’t, ever, unless you are a driving a car he is singing karaoke in. All the tv shows that old white handicapped people that I look after watch love Hamilton, or mean to make me think they do. It’s disgusting. They did the same with The Producers, and Book of Mormon and to a lesser extent Spamalot (as it was inherently alot). Meanwhile, in the 60 Minutes report, Hamilton Guy (I think his name is Lin) himself said “I just wrote a play.” He thinks this is as stupid as I do. But he gets to be treated like Caesar and various other doomed heads of state prior to being killed so he’s not going to tell anybody to cut it out.
ALSO James Corden is hosting the Tony Award show, and it is advertised with the clip of Corden’s own show, in the car with Hamilton Guy, rapping about Hamilton, and then the voiceover says “will HAMILTON win the most awards ever?” So they’re not even pretending this isn’t a fetid self-fellating sham. I don’t even hate James Corden; I liked him in Into the Woods, despite the Disney company’s dedicated desire to present it as a serious non-musical that doesn’t conflict with their own rubbish canon of made up things they didn’t make up, plus my general fatigue with the “happily ever after OR IS IT” genre by the time that movie version got made. But I’ve had enough Jameses and Jimmies and Jams and Jellies on late night television whose foremost skill seems to be acknowledging that stuff exists. For his part, bimshwel all-star Jimmy Fallon has a recurring segment where him and celebrity guests just lip-sync to songs. He does Corden one better by not actually taking the trouble to sing the overexposed, possibly exact-same songs with his overexposed guests, and they all probably get paid eight times as much. It is a travesty that anybody should have to switch from NBC to CBS to see both of these spectacles the same evening.
And on the internet it is the same; a few highly visible dorks who get paid just to record their heads saying how great stuff is get in on some property or other and then decide to devote their existences to funding-hyping-homaging it, and all the sad empty-lived people who look to them for validation think: I will devote MY existence to this TOO. And then one day I wake up and magically there are 3000 drawings of a pillsbury-looking skeleton wearing a hooded sweatshirt standing around not doing anything. This reflects the sad emptiness of my own life as well, since I continue to be exposed to people I have no means of respecting, or who will never respect me, and without procuring myself a counter-benefit in trade.
When I was at the Department of Motor Vehicles (as seen in hype-haven’s own Zootopia!) last month I saw a child who looked to be about 12, accompanied by a parent/guardian/kidnapper, drawing Undertunders in a sideways-turned notebook. At least I think it was a notebook; half the characters were wearing horizontal striped shirts so it was hard to tell. If the Hamburglar took this opportunity to escape from prison nobody would notice. They were just standing together in a row. The adult glanced at the drawing and asked “you’re drawing Chinese kids?” Honestly when I was 12 I was drawing dumb old Kirbies and Ultroses and my parents didn’t care either, but there wasn’t an alternate support infrastructure in place encouraging me to keep on drawings those things and nothing else. The kid at chez dmv probably logged into tumblr and saw nothing else but Undertoodle for a solid month and now believes that is life’s true pursuit. And everybody always always makes sure to mention that underachievertale is copyright some mysterious figure named Toby. And before that it was ponies. And now it is tonies. The whole thing is phony (and forgive me if that left you groany). I give Alexander Hamilton credit for getting shot at the end so to limit the amount of fan-made sequel matter.
I would be surprised if you didn’t! Am I supposed to be impressed by that statement in itself? I made a thing! I drew a thing! I’ll just leave this here… I’m tired of wimpy fake-humble language. It speaks of a lack of effort, and facilitates the honoring of other lacks of effort. I saw a post like this that said “my husband made a game grumps animated!” and it had a link I disregarded. First of all why would you admit to having married someone whose most noteworthy accomplishment is that? “Game Grumps,” I have intuited –and I have to because everybody assumes everybody else already knows what they are talking about– is a pair of bearded men who are terrible at video games, and people are fans of them for some reason, and then put considerable effort into drawing cartoon versions of the men being terrible at video games. Because life has no meaning anyway so why bother faking it? Gone are the days when people smear feces on paintings and call it art. Now we smear feces on vomit and just leave it here.
I used to know a stubborn person, who, upon hearing a use of language he did not recognize, would fake giggle and then say “yeah no, that’s not a thing.” But what IS a “thing?” Calling something a thing is the definition of not defining it. You will not specify what is, so how am I to know what is not in advance of your smirking insincerity wanting to correct me? And then earlier this year I inadvertently shared a vicinity with a screening of Frozen and everybody in the movie talked like that, and some of them even fake-giggled like that.
And this is not me hating the generation after or before mine; it is people my age creating and perpetuating stuff now. People who, additionally, do not require or desire my skills or input. This culture is no dang good for me. I am coming to dislike real people merely because they like imaginary things too much. And they are happy, rather than me, so it is my problem, clearly. The time has come and lingered to stop talking about digging a hole and living in it; I may need to dig a hole and die in it if I continue being aware.
In all sincerity I don’t see the point of specially honoring something that has been honored incessantly in inappropriate venues for nearly a year already. I would prefer the Tony awards re-purposed to honor people named Tony. For example, the award for best Tony Danza would of course go to Tony Rosato.
It is that easy. Anthonies should not be permitted, however.
How about this: I will treat this video like it is not incomplete and broken and that the story of its creation is straightforward and pleasant, and not let fully compiling my complaints about it delay and further complicate the matter. I am tired of dopes trying to control my life.
one more inexplicable looped animated lizard wearing a furry coat despite a lack of other clothing or presumed endothermia. These require some effort but not much thought! At least out of context. But they fill space well when I am too busy to put forth effort and thought at the same time.
page 12 of part 3 of this
I like the colors on this page even though they are lifted directly off of previous pages where I was less taken with them.
I must say I am continually disappointed with how relatively reponsible nemitz is turning out to be. Although consider that it acts like a buffoon when it enjoys something but suddenly acts like it is smart when elpse does something stupid. Typical hypocrite mitz.
I have blatantly ignored where that circular table was on previous pages. I am not Herge or Don Rosa, I can get away with that.
Don Rosa once drew some Scrooge McDuck comic scene from two different angles in two different stories since one involved time-traveling to the other, and he made a special point that all the bricks and incidental background details were consistent even though almost nobody would check on that. I am the sort of person who would check on that, but regrettably also the sort to hope nobody else would check on it.
May 19: great gimpity did I kill him by posting this??! I should have given him a more proven weapon to defend with than the awkward gun-blade.
I could not let my inoperable art tablet keep me from honoring the legendary career of broadcaster Morley Seifer.
I suspect tumblr is not going to appreciate this as much as it did Squalo Renhart.
On my part this is surely either a cry for help or a statement of unwillingness to accept help. Ironically, this is one of the more coherent digital art works I have made recently. It is as if I cannot do well unless I am doing something that there is no need to do well.
My drawing tablet machine seems to have taken grave injury from a chance encounter with cucumber relish, and consequently I am not able to proceed on this matter for the immediately visible future.
There are three parts to this. None are complete. They cannot be completed. I only need to establish a visual impression of all the relevant points, which is done on this part and the third part. The second part however is troublesome. It was made a long time ago and looks very cheap. My intent was to use it cheaply, but now that parts 1 and 3 look merely inexpensive, and 2 must be brought in line. Perhaps the relish incident was not chance after all! They are working against me. It wants me to fuss and lose my mind over it even though it is only about two minutes long and unfinishable. I shall see them harshly disciplined.
May 11 is Bimshwel, the website’s, birth-day. I do not make mention of mine, because I do not want to make trouble for anyone else on my behalf. However, the website deserves no such courtesy. And it is now at the age i was when I started mutating and hating myself. I will work to make its life frustrating and unfulfilling because I am a terrible, resentful parent. I resent its youth and optimism. I resent the possibilities in its future. Just as I resent part 2 of this animation. These two grew up together and I will bring them in line or destroy them before they realize they are, together, stronger than I am. Website! Get in your room! I want to hear those scales! PRACTICE YOUR SCALES, WEBSITE!