A crummily-constructed advertisement that conveys basic information and subtly implies the matter I addressed very non-subtly on the previous post that went on between when the picture was made and the lettering was added.
You are welcome to come, even if they are not! There is no reception; just show up if you feel inclined to and are in the area within the month. I assume you will not be, but that is alright since I probably won’t be there either! I drop stuff off and then the pictures are there. They have better social skills than I do.
Some times I wonder if somebody is out to get me, but is lacking for details about my life and so has to go about messing with it in an indirect fashion.
The situation at present is that I have an art exhibit of unprecedented size to set up on July 1. I intended to prepare 6-10 pictures I had not previously printed, most of which were near displayability, which I only seriously delved into last Saturday, believing a week-and-a-half plenty of time to finish so many near-finished things and also send them to a remote location for printing. My computer sternly disagreed and the following morning refused to turn on. This behavior was repeated on subsequent mornings and other distinct day-periods following. Instead of asking for a postponement of the exhibit opening or resigning myself to make do with the considerable quantity of art junk I already have ready, I had every intention of doing precisely what I set out to do prior to events which rendered it undoable, even though it was already barely doable.
Try to imagine you have an important engagement, or a terribly unimportant engagement that only seems like it is due to your utterly meaningless life, and your automobile explodes, melts, or otherwise becomes inoperable immediately before you are due for this engagement: in most cases, due to the isolation of your meaningless life, you will just have to not go, and deal with that. However, if your automobile melts but you have a seesaw-action minecart standing by, you might consider “I bet I could get there on the minecart” and then cause yourself more trouble trying failurely than you would have just accepting failure from the beginning and doing something else with your time. Also, along the way you have to let other people ride the minecart for a while because it is a popular minecart and the trendy little tricycles the people bought for themselves instead of getting minecarts are ultimately even less practical. And it’s your fault anyway since you never thought your car would melt and that you would need to use your minecart for anything serious and encouraged the people you are now complaining about to use it so that it was not wasted. Also I just remembered that you are trying to sell your garage andthe pieces of melted carrRRRRRRRRGH I’VE BEEN PUDDING’D And furthermore I must say your metaphor is rather hard to follow.
This picture actually does not prove anything. It is a laptop computer with the large empty front piece turned over. It looks more complicated than it is. Also, I do not advocate positioning a laptop computer on the top of your own lap since that can lead to back or neck strain. It is better to find someone taller whose lap you can borrow for the occasion.
All I did after putting the computer like this was slide out the hard drive, hidden beneath the lower right section, temporarily load the hard drive into the tiny computer lurking in the distance, whose own drive I removed to accomodate this act, booted it from a remotely adequate, somewhat judgmental version of linux, because it was the best my crummy internet could procure, off of a flash drive, and copied a few things from the hard drive to “work” with in a comparatively less inadequate version of linux that nonetheless lacked the ram quantities, screen size and bearable software I was accustomed to while I waited for a replacement computer more like my accustoms, generously provided by Mr. Pez of Springfield PC and Advanced Telemetry Systems, who also provded my previous units and advised me on hard drive swapping, that I could re-place the slid-out hard drive into, and resume with minimal issue. Well it seems complicated when you say it all at once like that.
You may have noticed that I described a number of things but used far fewer pictures than usual, and also put “work” between quotation marks, and further, have jumped from my usual unstated “six days without updates” minimum to seven. That ought to indicate to you that the situation has been just about as irritating as my implications and run-on sentences imply it might be, that would not be entertaining to read about with more specifics and punctuation added in. But if it does not then it probably is not a matter of great significance outside of my personal experience across the previous week. And golly feeble at least I didn’t get shot at. And yes the rumors I started are true: this website is on some level intended to be amusing.
I know sometimes it comes across like an inept assemblage of random details, however,
Find your name on a Coke. If you discover that your life suddenly has meaning where once there was none, well gosh, congratulations. That is much healthier than drinking the stuff. Why even bother selling a product, really? You are rather fortunate; when Donald Trump was your age, he could never find his name on a Coke, and I don’t think it was good for him. Bow hoydy am I topical! I admire Donald Trump. He says something crazy, and people laugh. I say something crazy, and people get legitimately worried, even though I do not actually have the fiscal resources to DO anything crazy. There is a man who knows his stuff.
My favorite kind of sharing is when I don’t actually have to, and these two agree. Although with their conspicuously perfect and plentiful teeth and just about full bottles, they do not owe their states of barely-human ecstasy to being Coke drinkers. Snorters, maybe. Or perhaps they derive their extreme enthusiasm from “sharing” the fact that a bottling plant printed statistically probable names onto labels, which is hypothetically impressive and a reason to purchase a single unit at a rate inflated beyond what multiple units would cost if purchased at once. It is actuality not.
It is however a perfectly valid reason to purchase cheapo signs to convey crucial information to Santa Claus. Otherwise he isn’t legally obligated to obey. Also, a vaguely religious figure with a long beard, unnaturally long life and weakness for fermented beverages who pals around with livestock? Santa IS Noah.
No, you should not. And the longer you ponder that, the greater the potential there is for hardship. The object could melt, or you could realize you are not biologically fit to grasp it, and drop it, or that you have your spectacles fastened under your ears instead of over. I imagine you have a frustrating and difficult life. Have you considered finding “Elephant” on a coke? I suppose it is judgmental for me to assume that this is Elephant and not Piggy just because it superficially resembles an elephant more than it resembles a pig. Who am I to say that “Piggy” must necessarily be pig-like in appearance? Just because people who advocate freedom to choose one’s name, gender, religion and whatnot act like you like you poisoned a reservoir if you want to change your ethnic identity? The figure IS wearing Piggy’s Specs, after all.
I shall honor the recently dead Christopher Lee by posting these pictures of him laying down the law while clutching a ridiculous over-sized vegetable pod and some manner of questionable imp looks on. If there were pictures of me in the same situation I would want people to know while I was still alive, however.
I do not think there is anything sad when a world famous celebrity gets dead at the age of 93, however, especially ones that have appeared in over two hundred films.
If Casey Kasem’s death was sad, it was because there was an unresolved dispute in his family, and the man’s final days were probably stressful, with lingering stress for those who could not fix the problem. It is NOT sad because it made Shaggy “Norville” Rogers, who is a fictional character, cry Mountain Dew Baja Blast-colored tears, when he went to some oddly sparse cartoon graveyard where nobody else is buried.
Much stranger are scenes showing just Scooby Doo weeping at the weird cartoon grave, as if the voice actor dying means the character is dead, even though four people apart from Casem have voiced Shaggy since 1998 in [wholly unnecessary] newer cartoons, and the initial Scooby Doo voice Don Messick has been dead since 1997, with Frank Welker doing the replacement, and he also has always provided the voice of Fred. It might be appropriate to show Fred rubbing his hands in treachery as he plots to take over more of the cast. In a weird cartoon graveyard.
With Messick’s death predating deviantart, I was sadly able to turn up far fewer creepy drawings of his gravestone, which is nonetheless a considerable achievement considering that he was cremated. Kasem meanwhile was buried in Oslo, Norway because his wife was crazy, which as far as I know is accurately depicted in the crude green-carpeted voids seen in these drawings. In another twist, Shaggy is alive again.
Just kidding, they are both actually dead. Gosh it is almost as if cartoons are not real people and thus are neither dead nor living and this sort of illustration has very little reason to exist.
A true mystery: Shaggy and Scooby at Casem and Messick’s imaginary graves, but this time there are two additional graves whose inscriptions cannot at this time be read. Is the implication that man and dog are next, with no reason to go on never-having-lived? Or has this person who couldn’t even be bothered to crop the digital camera picture of this lightly-stained ten minute drawing so that it is at least the center of attention put more effort into rendering a populated graveyard than any of the people who sprang for crayons?
My favorite shows Scooby Doo AND Bat-Man –who of course know each other; this partnership is not in itself notable– at a Kasem grave, Kasem having voiced Batman’s assistant Robin in Hanna Barbera cartoons. Even though those versions of Robin and Batman were based on the ones from the 1966 non-cartoon television series, which starred Burt Ward as Robin, who is not dead yet. Meanwhile, Olan Soule, the first voice (and my preference) of animated Batmen, has been dead since 1994. And once again the live Batman, Adam West*, yet lives. All the while, creepy oversized ghost heads float nearby with contented expressions showing they are oblivious to or quite proud of the suffering and confusion they have caused.
*West himself took over the animated Batman’s role later, but he and Scooby were no longer on speaking terms.
In other news, Ken Spears and Joe Ruby, the writers who actually conceived the Scooby Doo concept and characters, and presumably introduced Scooby Doo and Batman to each other, are also both still alive. Maybe they can get a pair of typewriters to cry at their hastily engraved resting places later.
There were a staggering meepload of these for Robin Williams. But in a week/month/year of tributes to a supposed comic genius, the hardest I laughed was coming across this, cartoon characters at a grave for a man they can’t plausibly have known existed, who was cremated, and didn’t actually voice them. Shouldn’t the grave say something like Cloppin Fillyums on it, given the alternate allegorical stupid horse-pun-based universe they inhabit?
That is true; otherwise this scene is completely serious and logical. But according to the image description, which regrettably was written, and regrettabler glanced at by me, the person who posted it didn’t even draw it; the person just assembled the elements from other drawings from other people, and only accomplished this much. So even if we are lost enough to imagine these characters are real and an acceptable vector for our own emotions on completely unrelated topics, at best they are faking it in front of a green screen on some other occasion. The animated franchise with the greatest potential for instant dork fame after spending the least amount of time learning to draw like it, and this person couldn’t even manage that, and still gets more recognition weekly than I ever had for almost any one thing my entire life. I felt bad making fun of the artists earlier, who clearly were not getting much respect as it was, but this kind of self-sustaining garbage is hard to coexist with calmly, even after five years.
But at least Robin Williams gets some scenery and a stylish mound, and a cheerfully inappropriate font.
That was rather odd, but could we possibly get a bootleg pikachu leaking Tide detergent onto a creepy cartoon grave that you stuffed five dead people into, four of whom certainly never had anything to do with Pokaymon plus one I never heard of?
I knew I could count on you.
I think these originated with Mel Blanc’s death and a widely-circulated drawing of Bugs Bunny and the et als, whose most distinguishing traits are the myriad ways they show no respect to anyone, looking mopey beside a spotlit microphone with the heading “SPEECHLESS.” To this day, prints of it are sold as if they haven’t been being cranked out for 25 years for apparent profit for the Time Warner company to people who would gladly pay to remember someone who made them glad with something that wants to force them to be sad. It seems the only thing better than institutionalized misery is spending money to take part.
This one for KC Case ’em at least makes a dorky joke on the topic that clashes with the intended air of reverence.
When Leonard Nimoy got dead I saw online remarks from people saying things like “I was driving when I heard and I had to pull my car over and cry for a while,” like this was someone they had met and knew very well, who had made a direct, personal investment in their lives. I am told he participated in his cult fan-dom, and had a fatherly aura, but he hardly left a great deal of business unfinished in his life. This level of attachment to celebrity is lost on me.
I remember when George Carlin did it, there were months of tributes to him, and I did not really see the prolonged public justification. But I accepted that; I did not seek out standup comedy, generally, and most of the tributes were from people who had worked with him or seen him perform who just happened to have high-profile television jobs but didn’t feel like doing him any favors while he was alive. I also remembered that when Bernie Mac went dying there was hardly anything within my radius, but I accepted that I mainly watched shows with mainly white people on them. Steve Jobs, alright, I never liked Apple-computer-brand stuff. Even my i-pod, which I did like, felt needlessly hard to use just to seem innovative. Literally, Apple’s slogan of the period was “Think Different.” No need to think better, just arbitrarily turn practical 2-direction control into a wheel and give it a plug that nothing else already uses or potentially will ever be able to use. And try to force me to reconfigure my operating system outside the i-pod while you are at it.
But with Robin Williams: he himself, not just people who knew him, was in films, and on television, stuff that I saw, and the effect of his death on me was about the same as any others I mentioned. I saw tributes from people of my approximate social status to the effect that they felt like they lost a family member or a piece of themselves forever even though the stuff he did has been preserved in the exact same form it was first encountered in (unless you saw him perform live, which none of these people have (maybe they WANTED to, and now know they cannot ever, but much emotional difference does that make?)). So now I know I do not belong. It was not the society-wide media-mandated mourning of the World Trade Center attack, but this was just one person, who had made quite a bit of money and, at the very least, knew he was about to die, and not a few thousand done in without warning.
In this country. Who cares if hundreds of thousands die or are driven from their homes somewhere else? Nobody is expected to care about everyone else in the world; it would probably kill any of us if we tried. But certainly we should take stock of what we are losing our marbles over. I have breakdowns all the time due to very personal things; in fact they rarely involve any unconnected figure’s hardship. I could not mentally afford that. It would never let up. I can’t even handle birthdays.
Caitlin Jenner not getting 100% universal respect for a conspicuously public and expensive makeover, there is a tragedy worth taking to the streets.I have my own jennder issues, and maybe I am sensitive about it, but I acknowledge that it is STRANGE and that there are things to laugh at there. Fribbity boppity everybody with a tv show was laughing at the guy’s ridiculous surgery before he announced he was a woman. Do not pretend you were behind this issue all the way if you weren’t, and do not pretend you are behind this issue now if a mangling of superficial body properties is a requirement for you to accept somebody’s mental state.
I was wondering what yet-living public figure has made the biggest impact on my life. But they, at least the ones we make celebrities out of, almost always work in groups, and rarely produce a totally unique, non-imitated/imitating product, and no singular product sums up my life, or would cease to sum it up if one of the people who made it stopped living. And I say that as someone with very little social contact, who theoretically should have all the more reason to fill my empty life with far off Hollywud
Back to Williams, it WAS sad to me, because it was a suicide, and in fact I never had any ability to relate to Williams prior to knowing he had a depression issue –yes, I have also acted like an idiot for attention, but with far less encouragement– and could barely stand him at all until he took on a more subdued persona post-heart surgery, but he will not quickly be forgotten if we don’t rush to say he won’t be.
And Leonard Nimoy has contributed to about 536 Starry Trek-related productions, probably enough where if you watched them all in order you would have forgotten the first one by the time you got to the end and you could start over. He lacked the potential that Robin Williams had to take on future significant projects, and hardly needed it by the time of his not-quite-deadness. And I am not advising to forget the creations and participations of people who appeal to you, but to quote somebody I hated during My Childhood, take a chill pill, get a grip.
In fact I did not see anybody freaking out over Christopher Lee but apparently I deleted this text from an earlier post, presumably the one I just linked at, and this seemed like my best chance to use it. For the love of MacGuffin, if you like something somebody did 20 years ago, please tell them before they die, because afterward that is going to be a lot less important to them, and undoubtedly someone else you know could use the attention more by that point. And please don’t put me in a box in the ground in a sad grave. ESPECIALLY if you like what I did while alive, don’t ruin your or anyone else’s day unless you truly have to. Put me in one of those cadaver museums or feed me to needy owls, or something useful.
Flash does not seem to like my trails effect a whole lot. Which I could understand if were not so welcoming of dopes.
page 38, another one of these. The next page is the one that really needs help, but then I still need to re-do 18 more after that. It seems inefficient and futile, but so is eating chocolate cookies. That is just how my life is going.
Concerning content, there is no way krumquat could say all that and shut the door before all before elpse had time to be startled and toss nemitz. The magic of comic strips!
The plant has good taste in choosing not to taste this, although it shows little regard for the ground.
I drew this about six years ago, assuming that was the same year I scanned it, and somebody (admittedly one of two people throughout all history to have portrayed Topaglior, the imp that dopes were improperly cloned from) suggested I animate it. Two years later I forgot about it for four years. Nonetheless it exists. I misunderstood the initial drawing, which is why the animated one is smiling instead of frowning but maybe it is proud of itself for having successfully eluded a dope.
I might use this as a production company logo for my videos if I imagine I have a production company and I ever make actual videos that are longer than this one, so to justify having a special identifying brand on them of this approximate length. I will hopefully know better than to put it at the start of the video. If somebody sees a dope survive right away it will put them in a bad mood for the rest of the day, plus immediate anxiety that the dope is free to wander through the video at some point.
This plant-like-organism seems first enthusiastic and then disapproving about something. Whatever that is seems to have not been fully drawn yet.
page 7 of part 3 of this questionable comicoid.
I like that the lizard’s nose is a different shape in every frame. At this point the comic primarily exists for me to laugh at that creature.
The last frame probably has too many actions for one frame but i think the order is apparent eventually.
I decided somebody should actually hold the shopping bag by its handles once before it passes from relevance, to justify drawing them all this time. I would like you to think I deliberately avoided using them as some subtle commentary on how dumb these imps are but I do not think that far ahead.
Inconsistencies between here and the last time I showed this apartment are merely my own lack of effort and not deliberate evidence of in-story subterfuge.
page 37 of redraw comic pages, because I am determined to give illogical external guilt priority over all things, but there should be a new non-old page before [specific period of time].
I was dwelling on what to replace the zelda screenshots with, because I did not for the time being have the patience to construct a series of fake nes screenshots that look like a real ones when reduced for a gag that almost nobody would notice, but since these were just mouse-drawn impressions to begin with, and have now been vectorized and re-rasterized, it would be impossible to prove that any intellectual property is being violated here; only imitated. The full-on one on the previous page was legitimate so I replaced it with a scene from a super mario world rom-hack I was involved with which, as per my usual contract, was never finished, though the level I contributed graphics to was.
By the wuh: there is somebody else who hassles me for still playing the game Doom and designing little add-ons for my personal amusement instead of starting a new game in a free 3d development system like Unity for big buck$ because Doom is an outmoded “hipster luddite” gaming engine that is deliberately hard to work with. But compared to Super Mario World, Doom editing is like eating an ice cream sandwich, and mario is one of the easier ones. I find the frightful hellish experience of 21 years ago rather relaxing at this point, and I use it as relief for other annoying obligations rather than to make it an obligation in itself. I do it while listening to classical music. In fact I do not often like classical music in other contexts. Also, the person I did the mario thing with is one of my more trusted acquaintances so this should not be taken as hostility about that either. But rom-hacking is miserable work that gives very little to show for your effort.
And for those following the brief sniplets of my personal non-internet soap stopera, the performance I believed I would be doing the next day last time did not occur because the show ran long due to “technical difficulties.” I cannot now commit to doing it at the next show because I may be kidnapped by skeletons next week.
Anyway, what is important is that asking me to do anything means it will never get done to anyone’s satisfaction and everyone will be very angry afterward.