tra la la scumbag circlejerk oh ho ho tee hee hee

are they trying to make me feel sympathy for this dork?

How is a play written six years ago and set over two hundred years ago supposed to or fair to expect to address real-world violence? Anybody who can afford to go to broadway plays isn’t looking to be reminded of it, either, so it doesn’t make financial sense to incorporate, and if something wasn’t expected to make money it wouldn’t be on Broadway, which is why the one with Spiderman was able to keep getting more money smeared over it long after it should have been scrapped. Violence didn’t come into existence in May but the idea that everybody has to make a public statement and just the right one about it seems to have.

This is such a surreal statement, I cannot even tell if it is sarcastic. It almost doesn’t matter, since this is a game that cannot be won. EVERYTHING is “problematic” to a degree and it is IMPOSSIBLE to be “woke enough.” the success of hamilton paved the way for you to be able to get legitimate press for your astounding “woke”ness. I agree that it is probably primarily for rich and/or white people who want to seem “hip” by liking stuff that doesn’t have white people in it, and I am yet unconvinced that a majority who claim to even do like it. However this is definitely an example of biting the hand that feeds you, and in this case the hand apologizes for being bitten. You can’t be that big a success in the United States withOUT appealing to white people since an overwhelmingly majority still are white, however much people in The Media want to appear more skin-tonally diverse.

I said it in 2017, Mirandy is just as tri-state-area white as I am, he just happens to have ancestors from a different place and richer parents and inadvertently became a sort of mascot for this movement or whatever it is. He isn’t prepared for that because he didn’t plan on being that and it isn’t his experience. And he can’t very well pretend it is, because he is a terrible actor.

i appreciate that Hamiltor’s unquestionable god-status is being allowed to break down publicly, i suppose, but I would prefer these criticisms to come from people who have actually seen it, because I also haven’t and also don’t intend to. Not even see it at the dumb old Schubert theater in New Haven where I saw dumb old Spamalot, and by the time Spamilton comes out I will know in advance to tell people not to buy me a ticket to see it as a gift. Alas, a proper criticism requires more awareness than that.

this will suffice